Though I only ended up mixing it with the white acrylic paint since I already had all the other colours I wanted to use. Due to the textile medium being practically prehistoric it created a really disgusting partially separated substance with the consistency of a tin of baked beans. Including the beans. It worked totally fine though so long as you didn't scoop up one of the lumps when you were applying it to the collagraphs.
I applied paint to the areas of the collagraph that I wanted to print with then laid the material on top and pressed it down making sure to get all the bits where I remembered there to be paint. After using this method to print onto every piece of fabric and some not turning out so great I realised there was a better way of doing things. In retrospect I should have laid the material face up and pushed the card down onto it instead of the other way around.
I printed once more on that piece of fabric then moved onto some other colours. I continued in this way varying my fabrics and colours until I had what I deemed a large enough stack that when sewn together would create a big enough piece of material for me to get all the bits of corset I needed cut from it.
Some surfaces held up better than others. The cellophane and foil did not. |
I can't resist uploading close up pictures of the collagraphs after I'd printed with them, there's something really beautiful about the faded metallic colours.
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